This cinematic portrait arises from a dual movement: the encounter between Lena Vandrey and our filmic universe, and our encounter with her pictorial world, her space, and her collection of processional figures and articulated dolls. A crossing of imaginations and mythologies: the South, origins, the search for a "Greecity," the quest for the magical potential of the image, the feminine as a "force in love." A crossing of artistic gestures: one on the canvas, the other on photographic and cinematic mediums. We invited the artist to become body-painting herself, a filmed painting. We have staged her texts, her paintings, her objects, her space. An attempt to reveal her as an embodiment of her own mythology.